Jodorowsky-Camoin Tarot de Marseille
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[edit] Description
Modern restoration/revision of the Tarot de Marseille which seeks to recapture the Ur-TdM. Using various antique decks and printing plates, Jodorowsky and Camoin have researched and clarified (and some would suggest in cases to invent) symbolic detail in crisp lines. The bold colors are vibrant and more varied than in any other Marseille printing. The new details include an egg at the foot of the Emperor, lunar buttons on the Hanged Man and entwined serpents below the Temperance angel.
[edit] Creator(s)
[edit] Publishing details
ISBN To be added
[edit] Date of Publication
1998
[edit] Publisher
Camoin
[edit] Deck creation and/or publication process
"In 1998, the Tarot of Marseille rediscovered a symbolic structure which had been lost over time thanks to Philippe Camoin and Alexandre Jodorowsky. The Tarot of Marseille, Camoin and Jodorowsky, contains all the symbolisms already known and more than a dozen new symbols of which professors, experts and amateurs will not be able to do without any more. Only the colours are radically different from certain Tarot of Marseille cards which only contain red, yellow and blue - without light blue or any other colours involved. Originally, these primary colours simply red, yellow and blue, noninitiatory, were copied from a Camoin pack dated in 1880 at the time of the industrial era and the appearance of machines. These machines being only able to print the four primary colours. In the years 1860-1880, Philippe Camoin’s ancestor, who was the last and unique CardMaster in Marseille felt, indeed, constraint to invent these new colours that could adapt to the machines. Thus was born a particular edition created for mass production. It is these invented primary colours and noninitiatory from 1880 which were used, 50 years later, by other printers. Since 1930, for over 70 years, the public wrongly thought that these colours had an esoteric significance. Since 1998, the new colours of the Tarot of Marseille, Camoin and Jodorowsky, are the reflection of the authentic alchemical tradition. This re-composition is a complex process of comparison between the symbols present on many decks in Europe and the whole process according to the authentic tradition of the Tarot of Marseille. This work calls for an extremely precise initiatory logic. It is not just a question of copy or restoration as we know of, from an older deck of cards. The term "Restoration of the Original Tarot" implies a restoration of a complex philosophical system. The Tarot is indeed regarded as an initiatory knowledge, a metaphysical machine where the cards are only a support. Together, Philippe Camoin and Alexandre Jodorowsky re-composed the symbolism of the Tarot of Marseille as it should have been originally, the original deck having disappeared from the general public. They have also added their specific elements of which they hold the secrecy like Master Card Makers have always done in the past.The original symbols have been lost with time over generations of Master Card Makers. The discovery of the egg situated at the bottom of the eagle in the "Emperor" card was a decisive moment and confirmed that a quantity of forgotten symbols were hidden : waiting to be revealed. The other discoveries can help understand the logic with which the Tarot was originally built. Among the other restored symbols easily understood by the general public, we can add : the two snakes intertwined at the foot of "Temperance" and the four elements in the Ace of Cups."
[edit] Creator's comments
"We tried to re-create the Tarot of Marseilles as it was originally. The original deck is now extinct. Its re-creation was a complex process of comparing all the symbols existing in the various European decks. This work was done in the Tarot of Marseilles' Tradition by its heir, with an extremely precise esoteric logic."
[edit] Creator's website
